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The holy island of Rameswaram is known for one of India’s most venerated and most visited Shiva shrines, dedicated to Sri Ramanathaswamy. It is so intimately associated with the life of Sri Rama, the hero of the epic Ramayana, that both Saivites and Vaishnavites consider every grain of Rameswaram’s sand very sacred.

There is a traditional belief among the Hindus that a pilgrimage to Kashi will be complete only after a visit to Rameswararn, also hailed as “Benaras of the South”. Pilgrims aspire for a holy dip in the sea at Dhanushkodi, revered as Sethu Theertha, where the Mahodathi (Bay of Bengal) meets Ratnakara (Indian Ocean). The sanctity and antiquity of Rameswaram is summed up in the old saying Aa Sethu Himachalam.

The merits of Sethu Yatra are described in the Vedas and in almost all the Puranas -- Agneya, Bhagavatha, Padma, Shiva and Skanda Puranas, to mention a few. Numerous literary works in Sanskrit and Tamil from the period of Valmiki Ramayana extol the significance of Sethu Yatra. The four Saivite saints Appar, Sundarar, Sambandar and Manickavasagar have sung in praise of Lord Rarnanathaswamy. Saint Thayumaanavar was a staunch devotee of Goddess Parvathavardhini.

Rameswaram is the abode of one of the 12 Jyothirlingas of India. It is also considered one among four most sacred pilgrim centers of India. They are Rameswaram in the South, Badrinath in the North, Puri in the East and Dwaraka in the West. Among these, Rameswaram is dedicated to Shiva, while the other three are dedicated to Vishnu.

Rameswaram is an acclaimed Parihara Sthala, where it is believed all sins get absolved. Devotees take holy dips at Sethu Theertha, Agni Theertha and other sacred waters, offer pujas to get progeny, perform Shraadha for their ancestors and do Naga Prathishta (installing serpent deity).

The life of Gautam Buddha, the founder of Buddhism, is associated with the small town of Bodhgaya. It is one of the four holiest cities of Buddhist faith. The Mahabodhi temple is the main attraction of this town and is located near the spot where Lord Buddha attained spiritual enlightenment. Bodhgaya is not only an important Buddhist pilgrim center, but it is also an important center for the study of Buddhism.

Mahabodhi Temple and other monasteries are the major attractions in Bodhgaya. Places associated with the life and times of Lord Buddha are located inside the Mahabodhi complex including the Bodhi Tree and a pond where according to legends, Lord Buddha mediated for few days.

Check out the following all-inclusive tour packages and holiday offers that will make your travel or pilgrimage to Bodhgaya comfortable and enjoyable. We provide you a range of tour packages and holiday offers for the city of Bodhgaya that will suit your requirements and budget. As per the nature, duration and the accommodation required during the holiday trip or pilgrimage to Bodhgaya, the tour packages vary.

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From the time immemorial, India has been a spiritually enlightened country consecrated by Rishis and temples of worship. Holy places like Kashi and Rameswaram have magnificent Temples which, besides their spiritual significance, are noted for their antiquity and historical importance. The artistic excellence and the architectural specialities of Konark and Khajuraho are so indescribable that they always attract not only the pilgrims from within the country but also swarms of tourists from abroad. But Guruvayur is a pilgrim center which has its own glory and greatness, mainly because of the divinity enshrined in the Sanctum - Sanctorum (central shrine) of the temple and the unique charm of the idol installed in it.

The presiding deity in the Garbhagraha (central shrine) is Mahavishnu, worshipped according to the pooja routines laid down by Adi Sankaracharya and later written in to the Tantrasamuchaya by Chennas Narayanan Namboodiri (born in 1427). The Chennas Namboodiris are the hereditary Tantri of Guruvayur temple. The people at large, however, invoke the Lord as UNNIKRISHNA or BALAKRISHNA.

Design & Construction

The outer enclosure has a 33.5-m tall gold-plated flag post and there is also a 7 m high pillar of lamps, whose thirteen circular receptacles provide a truly brilliant spectacle, when lit. The square 'Sreekovil' is the sacred sanctum sanctorum of the temple, housing the main deity. Within the temple, there are also the images of Ganapathy, Sree Ayyappa and Edathedathy Kavil Bhagavathy. Only Hindus are allowed inside the temple.

SANCTITY OF THE LOCALITY

Guruvayur became divine on account of the "tapas" performed by Lord Siva and later by the Prechethas (the ten sons of Pracheenabarhis and Suvarna are together called Prechethas) in the Rudratheertham - the sacred tank on the northern side of the present temple - where Lord Guruvayurappan has His Arattu (holy bath on the last day of Annual Utsavam). Siva worshipped Mahavishnu for years under the waters of the Rudratheertham ( hence the name Rudratheertham due to the presence of Rudra, Siva). Prechethas came to this place to do tapas to attain "prajapathithwam" ( king of all kings) from Lord Mahavishnu. Sensing the motive of Prechethas, Lord Siva emerged out of the Rudratheertham and revealed to them the "Rudrageetham", a hymn in praise of Mahavishnu. Siva suggested them to chant it with all their heart to get their wishes fulfilled. The Princes won the favour of Mahavishnu after rigorous tapas for 10,000 years under the waters of Rudratheertham chanting Rudrageetham

According to the legends, in ancient days Rudratheertham ( present Arattukulam) extended up to Mammiyur and Thamarayur (about 3.00 kms) and was known for its lotus flowers. Melpathur's Narayaneeyam refers to it as the lovely lake of lotus.

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The Sun Temple of Konark often called as the Black Pagoda was constructed in mid thirteenth century by Raja Narasinghs Deva-I of the Ganga Dynasty. It is an ample testament to the artistic glory of the time. Conceived in form of a huge chariot drawn by seven spirited horses on twelve pairs of exquisitely decorated wheels, after the mythical seven horse chariot of Sun God, the temple was a unique in its architecture and implementation. Intricate carvings on the walls of the main temple and the Natya Mandap (a separate structure just in front of the temple) are a sight to behold. It is often considered to be the most artistically superior among the other temples and that is saying something when you are talking about the golden triangle of Orissa which boast of Sri Jagannath temple and Lingraj Temple of Puri and Bhubaneswar . Sun Temple has lost its many of its original structures to time and disrepair but the remaining structures and the remainder of the structures confirm till today the infinite imaginative power of the artistes of the time and their inspiring contribution to Vaisnav Culture.

The crowing glory of the temple architecture of Orissa the Sun Temple at Konark plays host to the annual dance festival featuring Odissi and other traditional dance forms. The open air stage against the back drop of the floodlit temple reverberates with the beats of classical ragas and thalas to transport the audience in sheer ecstasy. The accompanying divine music and the breathtaking movements of the performers turn the event a truly out of this world spectacle. It appears as if the entire monument has come alive. Besides this lavish feast for the eyes and ears, the festival involves display of traditional art and craft marking the glorious traditions of Orissa and an exhibition of exotic Sand Art.

About Konark Sun Temple

The temple complex is enclosed within a compound about 261 m by 164 m. At the eastern entrance is an isolated pillared hall (bhoga mandira) built on a richly decorated platform, some believing it to be a nata mandira (dance hall). To its West is an open space leading to the porch (jagamohana) which from the base to the top stands to about 39 m. The lower section of the original deul (sanctuary) to its East, once over 60 m tall, dominates the landscape for many kms. To the southeast of the deul are the remains of the Mahagayatri Temple while behind this structure is Vaishnava Temple and many a foundations of other structures.

The entire temple was conceived as the celestial chariot of Surya, the Sun-god. Drawn by seven galloping horses (only one is still intact), which represent the days of the week, while the twelve wheels ranged along the base stand for the twelve months. The eight spokes in the each wheel symbolise the eight prahars of the day. The platform (3.9 m high) rests on a low upana (the plinth) with three broad flight of steps, facing North, South and East doors of the porch leadingto its top. Running right round the base of the temple, the facade of the upana has extraordinary friezes featuring military processions, hunting scenes, elephants uprooting trees, feeding young ones, men attempting to capture elephants, journeys, rows of athletes, lady cooking and more secular scenes of every day life. Among the animals carved, the presence of a giraffe on the southern side, significantly points to the trade links with Africa during the 13th century.

The facade of the platform is richly carved bearing a well moulded base. The platform is divided into the same five horizontal layers that characterize the temple itself. These are richly ornamented with creepers and scrolls, and end with tiny motifs of chaitya windows. The lower jangha of the bada is spaced with upright slabs containing miniature representations of temples with 'khakhara-mundis' (wagon-vaulted roofs), which contain niches. Set into these niches are mainly figures of women-a lady leaving for pilgrimage, washing hair, playing the veena, caressing a bird. The slabs between are boldly relieved with various motifs, erotic couples and voluptuous young women flaunting their beauty in various inviting postures, some are of nagas or nagins depicted with a human bust, a multhooded canopy and the tail of a snake. Above the middle of the platform, the upper jangha are large pancha ratha pilasters, elaborately sculpted, sometimes with religious scenes such as images of Mahishasuramardini (Shakti cult), Jagannatha (Vaishnava cult) and a linga (Shiva cult) enshrined in a temple, indicative of a religious tolerance prevailing at that time for different sects. Other sculptures show a king seated on an elephant, a hermitage delivering discourse to a group of nobles or princes whose mounts (elephants and horses) are shown standing below the pavilion and the simple family scenes. The top moulding of the platform though severely damaged, separated by a narrow recess are decorated with motifs of marching armies, hordes of elephants and the royal court.

The intricately carved wheel (2.9 m in diameter) of the chariot on the face of the jagamohana is shown with its axle, a decorated hub and even an axle pin. The hub of the wheel is decorated with beaded rings and a few of lotus-petals. In the centre of spokes are richly carved medallions with gods such as Surya and Vishnu, erotic and amorous figures, kanyas in various mudras (poses), noblemen and animals.

How To Reach Konark

The convenient way to get to Konark is drive either from Puri, 35 km or Bhubaneswar, 65 km. The drive from Puri along the sea front is a treat through coastal villages and its beautiful houses.

Buses as well taxis are freely available from Puri. From Bhubaneswar, however the bus services less frequent and takes about 3-3 V2 hrs to cover the distance, while from Puri the service is very prompt, taking about one hour to reach Konark.

A round trip from Puri to Konark by AC/non AC Car Rs. 750-1000/Rs. 500-750. More adventurous lot cycle to Konark from Puri and stay there overnight.

The Golden Temple is the ultimate Sikh pilgrimage. The Harmandir Sahib, as it is traditionally known, actually means the temple of Hari or the Supreme God. Also known as the Darbar Sahib, the stupendous, architectural phenomena is located at the city of Amritsar. The temple's exterior is gold-plated and the structure stands in the middle of a square tank. There is a causeway across the Pool of Nectar to reach the Temple. The shrine is symbolical of the doctrines of Sikhism. It also represents the magnificent strength of all the Sikhs. The amazing thing about Harmandir Sahib is that it has doorways on all four sides, meant to be open for the people of the all four castes. All over the, the Sikhs always look forward to visit to the magnificent temple and offer prayers at the Harmandir Sahib.

The study of the art and architecture of the Golden Temple has, unfortunately, remained a subject of unconcern for art historians and critics. Even scholars of Indian temple architecture have bypassed it and references, whenever made, were mere courtesies. Fergusson considered the Golden Temple an example of the forms, which Hindu temple architecture assumed in the nineteenth century. According to the official list of buildings of interest, published by the Punjab Government in 1875, the design of the temple, as reconstructed by Ranjit Singh, was borrowed from the shrine of Saint Mian Mir, near Lahore. Louis Rousselet, writing in 1882, regarded it as a "handsome style of architecture". Major Cole described it as an adaptation of Mohammadan styles, flavoured with a good deal of Hindu tradition. Percy Brown considered it to be a product of the synthesis of Hindu and Muslim influences, combined with elaborations that imparted it an appearance of its own.

Guru Arjan Dev thought of building a central place of worship for the Sikh community. In 1588, after finalizing the design of the Darbar Sahib, he laid down the foundation of the temple himself. His followers started living in the adjacent area and the town of Ramdaspur came up. The town of Ramdaspur later came to be known as Amritsar, deriving its name from the holy pond that beautifies the area surrounding Hari Mandir. The planning to dig the holy tank or Amrit Sarovar was made by Guru Amar Das. However, the construction of the tank took place under the supervision of Baba Budha ji. The land for the site was acquired free of cost from the zamindars (landlords) of native villages. The first Sikh Maharaja Ranjit Singh made Amritsar his spiritual capital. He developed the temple further including the gilding of the embossed plates, renewing of the pietra dura and the embellishment of the ceilings with the mirror and floral designs.

Amritsar is an institution by itself. And the Golden Temple is the cradle of Amritsar with the city growing around it nurtured by its divine sanctity. The Golden Temple stands there in simple majesty, the gilded splendor of its paneling, dome and minarets shining in the morning light, silhouetted softly in the water and etched gently across the city escape. For the Sikh community the Harmandir Sahib Gurdwara Golden Temple is the final spiritual "vision," journey's end or beginning and, for every other community too, it is a shrine to be visited.

Besides the Golden Temple there are several other Gurudwaras in India that are of great importance to the pilgrims. Another important pilgrimage site is Anandpur Sahib, where Guru Gobind Singh, the tenth Guru created the 'Khalsa' or the pure ones by baptizing them. Anandpur Sahib (in Ropar District) is one of the five Sikh takhts or thrones. Sikhs from all over India visit this holy site especially on the occasion of Holla Mohalla which coincides with the last day of Holi and marks the festival's finale. On this day, the Gurudwara Keshgarh is filled with people and colour as men in bright turbans and women in gaily-colored salwar kameezs try to live up to Guru Gobind Singh Ji's vision of Holi.

Planning a pilgrimage to any of the Gurudwaras of India? Check out the following all-inclusive tour packages and holiday offers that will make your travel trip to the Gurudwara tour comfortable and enjoyable. We provide a range of tour packages and holiday offers for the destinations with sacred Gurudwaras of India that will suit your requirements and budget. As per the nature, duration and the accommodation required during the pilgrimage at each destination of the Gurudwara the tour packages vary.

Bhaktivedanta Swami Prabhupada is the founder acharya of the hare krishna movement. Completed in 1998, this is a complex of temples. The International Society for Krishna Consciousness (ISKCON) was initially raised as a spiritual society in New York to Propagate the message of the Bhagwad Gita. It was founded by Swami Prabhupada. In India there are 40 ISKCON temples. Contemplating the traditions of the ancient Vaishnava tradition, its philosophy and practice, these spiritual temples have left a mark on all mankind.

ISKCON temples are dedicated to Lord Krishna and were built by the Hare-Rama Hare-Krishna cult followers. These complexes are elegantly built and are few of the largest temple complexes in India. There are beautiful paintings of Russian artists on the different past times of Radha Krishna, Sita, Ram, Laxman, Hanuman and Chaitanya Mahaprabhu. Special programmes like Kirtan, Aarti, Pravachan and Prasadam are held every Sunday.

Some ISKCON Temples In India :

* ISKCON Temple, Delhi
For many this is just a temple, for finding solace, peace and quiet. Sitting amongst Lord Krishna and his devotees with Hare Krishna chants going around is indeed an experience. But for those who are seeking more, there is so much to learn and see, than what meets the eye.

* ISKCON Temple, Bangalore, Karnataka
The ISKCON Temple was built recently by the International Society for Krishna Consciousness. As you climb the granite steps you will encounter three small shrines before the main temple. The three idols of Lord Krishna in the main shrine are made of brass.

* ISKCON Temple, Vrindavan, Uttar Pradesh
It is located within the premises of the Krishna-Baldev Temple in Vrindavan. Beautiful paintings depicting the life of Lord Krishna adorn the galleries leading to the main temple. ISKCON devotees from various parts of the world can be spotted manning the library or ISKCON book stalls and partaking in temple rituals.

* ISKCON Chandradoya Mandir, Mayapur, West Bengal
This is the international headquarters of ISKCON. Surrounded by: a Vedic city, the main Deities are Sri Radha Madhava. The Deities are larger than life-size. There are also eight Gopis, four on each side of Radha-Madhava. Also on the main altar is a small set of Radha-Krishna Deities. On the left altar are Deities of the "Pancha-Tattva-Advaita Acarya", Lord Nityananda, Lord Chaitanya, Gadadhara, and Srivasa Thakur. To the left of this altar is another altar with an impressive Deity of Lord Narasimha.

There are so many

ISKCON temple in world wide

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About 12 Kilometers away from Coimbatore Railway Station is the Marudhamalai temple of Lord Muruga. As the name suggests, the temple is situated on a hillock and the presiding deity is called Dhandayuthapani. The celebrations of this temple are ' Thaipoosam' and ' Thirukarthigai ' in January and February. Pollachi, an important commercial centre about 40 Kms away from Coimbatore, is famous for it's Mariyamman and Subramanya temples.The South Banaras or Avanashi Temple is the biggest temple in the district famous for it's exquisite carvings & sculptures

The layout of the Ayyappa temple is believed to have originated from the specific instructions of the Lord himself, who wanted Malikappurathamma, on his left a few yards from Sannidhanam, and his trusted lieutenants Vavur and Kadutha to be positioned as his guards at the foot of the holy 18 steps. The pilgrims worship in this place also. This exemplifies the unique feature of the temple. The temple is open to all faiths. The divine qualities like equality, fraternity, tolerance, humanity etc.. are shining well in the pilgrims.

Ayyappa cult gives much importance for the secularism and communal harmony and has turn out to be a model for the whole world. Another significant aspect of the pilgrimage is that all the pilgrims whether rich or poor, learned or illiterate holding position or not master or servant are all equal before LORD AYYAPPA and all address each other as AYYAPPA.

The pilgrims on their sojourn to Sabarimala worship at Erumeli Sree Dharma Sastha Temple and conduct "Petta Thullal". They also worship in the mosque at Erumeli as a part of their pilgrimage.

According to legend, the temple of Sabarimala and the deity of Ayyappa have always been regarded as the Pandalam Raja's very own. So permission from the King has to be attained before proceeding to the temple. To make it easy for pilgrims to obtain the necessary permission, a representative of the king sits with all the royal insignia, on a raised platform at the base of the Neelimala Hill. The pilgrims offer a token amount (not necessary) to the royal representative, and receive vibhuti from him.

This marks the beginning of the steepest climb of the pilgrimage, the 3 km trek up the majestic Neelimala Hill, atop which sits Lord Ayyappa in all his glory. The pilgrims wind their way up the difficult trail in an unending stream, the hill reverberating with the constant chanting of thousands.

At the first sight of the Patinettampadi, the holy eighteen steps, a full throated cry goes up from the devotees, "Swamiye Saranam Ayyappa!" It is the realisation of a mission.



The shrine of Lord Ganapati: To the south-west of the main temple is the shrine of Lord Ganapati, known as Kannimula Ganapati. The special offering to this deity is Ganapati homan.

Homakunda: There used to be a large homakunda in front of the shrine, which burned constantly, fed by the coconut shells thrown by the devotees, after offering the ghee. As the coconut shells gets consumed by the fire, the sins of the devotees are believed to be cleansed. Due to the growing crowds in the temple, the homakunda has now been shifted to a location below the temple.

Bhasma Kulam:About a 100 metres away is the shrine of Malikappurathamma. En route to the shrine is the temple tank, Bhasma Kulam, in which hundreds of devotees take a holy bath in memory of the tapaswini Sabari who entered a fire to end her mortal life. It is after her that the peak is named Sabarimala.On account of the number of people who bathe in the tank, the water is frequently drained out and refilled with fresh water.


Malikappurathamma: Situated on a small hillock, the Malikappurathamma temple houses the shrines of the Devi and Kaduthaswamy. Devotees also worship a trident and lamp here, and offer coconuts. The coconuts are not broken, however, but are just rolled on the ground .

To the left of this temple are the shrines of the snake god and goddess, Nagaraja and Nagayakshi. Here, tribals beat on drums, play stringed instruments and sing sarppa pattu to protect devotees and their progeny from the harmful effects of snakebites.

Shrines of Kaduthaswamy and Karuppaswamy: At the foot of the Patinettampadi are the two shrines of Kaduthaswamy and Karuppaswamy, who stand like dwarapalakas or guardians of the holy steps, to ensure that they are not polluted by those who tread on them without fulfilling the rigid austerities required of them. They are also believed to protect the devotees from the evil spirits of the forests.

According to legend, Kadutha was a great warrior who helped the Pandalam king defeat the armies of Udayanan and other enemies. When the king came to Sabarimalai to reconstruct the temple, Kadutha came with him to protect him. Ultimately, he became so attached to Ayyappa that he decided to spend the rest of his days with his Lord.

Also near the Patinettampadi is the shrine of the Muslim Vavurswami. While there are several accounts of identity of Vavur, it is generally believed that he was a warrior who was defeated and subdued by Ayyappa, and later became a close associate. It is believed that Lord Ayyappa himself instructed the Pandalam king to build a mosque for Vavur at Erumeli and a shrine at Sabarimalai.

Renovations Done:

Golden 18 Steps: The original granite steps were badly damaged due to continuous breaking of coconuts on the steps by pilgrims climbing the steps. The Devasom Board with the approval of Lord Ayyappan through a devaprasanam, covered the steps with panchaloka. The work was completed by 15th November 1985. Later on these steps were covered with gold.

History

The depiction of the demon Ravana shaking Mount Kailash is a masterpiece contain the scenes of semi-mythological history, the royal court and popular life of the ancient times, as told in romances and plays. Some pictures recall the Greek and Roman compositions and proportions, few late resemble to Chinese manners to some extent. But majority belongs to a phase which is purely Indian as they are found no where else. These monuments were constructed during two different periods of time separated by a long interval of four centuries. The older ones were the product of last to centuries before Christ and belongs to Hinayana period of Buddhism in later part of 2nd century AD when Buddhism was divided into two sections, after the conduct of the fourth general council under another great king, Kanishka.

The new feature of Mahayana Buddhism was the concept of future Buddha's. The Buddha, himself probably thought that he was the last of the long succession of earlier Buddha's who lived before him. According to the Buddhist traditions, these former Buddhas were revered even in the historical Buddha's lifetime. By the time king Ashoka, their cult was widespread and was patronized by Ashoka. Later, when the stupas were constructed and beautified, the carvings were executed in a symbolic way. An inspired sculptor began to carve images of Buddha himself and within the few generations, all the Buddhist sects took to worshipping images. The universe of Mahayana contains numerous Bodhisattava, the chief of whom is Avalokitesvara with attributes of compassion. He is also called Padmapani or the lotus bearer. The Manjushri with a naked sword in one hand, stimulates the understanding. The sterner Bodhisattava who is a foe of the sin and evil and bearing a thunderbolt in the hand is Vajrapani. The future Buddha, Maitreya will take birth to save the world.

At ELLORA , 34 cave temples were carved out of the hillside with hand tools. Only 12 of these 34 caves in the centre are the most impressive. The massive Kailash Temple (cave 16) is nearly one a half times taller than the Parthnon and occupies almost twice its area. It is believed that it was constructed by excavating approx. 200,000 tones of rock and is possible the world's largest monolithic structure. Representing Shiva's Himalayan home, the temple is exquisitely sculpted with scenes from Hindus mythology, each pulsing with drama, energy and passion. The Kailash Temple situated near the village of Ellora. It is considered as one of the most astonishing 'buildings' in the history of architecture. This temple is the world's largest monolithic structure carved from one piece of rock and the rock - hewn temples and monasteries of Ellora that lies just 30 kms from Aurangabad.. Kailash Temple at cave 16, were a big Shiva-linga (form of Lord Shiva) is worshiped. It is the biggest building carved in a stone in the whole world. is a part of Ellora Cave Complex. The Kailasanatha temple is the world's largest monolith structure that was literally scooped out of the hill side. Lord Shiva is worshipped in the form of a giant lingam in the garba griha. Beautiful sculptures from Ramayana and Mahabharatha are carved on the walls of this cave temple.

About 150 kms. from Hyderabad lies the ancient city of Warangal. Noted today for its beautiful lakes, magnificent temples and wildlife, Warangal possess the marvelous thousand pillared temple, built by King Rudra Deva in the 12th century. The famous Thousand Pillar Temple, built in 1163 AD, by king Rudra Deva is an important monument situated near the Hanamkonda-Warangal highway. One thousand richly carved pillars and a magnificent black basalt Nandi bull are unique to this temple which is dedicated to Lords Shiva, Vishnu and Surya.

The temple is in shape of a star and has three shrines dedicated to Lord Shiva, Vishnu and Surya. The temple is built on a 1m high platform on the slopes of the Hanumakonda hill, and has a majestic monolithic Nandi. The black basalt Nandi, a monolith, has a lovely polished finish.

There are many small lingam shrines surrounding the gardens. The temple is famous for its richly carved pillars, screens and detailed sculpture. The atmosphere is calm and serene with the sonorous ringing of the puja bells, gentle chirping of the birds and the soothing cool breeze.

How to get there?

Air - The nearest airport is at Hyderabad , 157-km away.

Rail - Warangal has a railway station and is well connected by rail to important cities of India.

Road - APSTRC and Private buses connect Warangal with Hyderabad, Vijayawada, Karimnagar, Khammam and some other districts.

History

This is a twin temple. The temple in the southern side is dedicated to Sri Meenakshi the consort of lord Sundareswarar (Shiva) and the other to lord Sundareswarar. This is one of the biggest temple complexes of India. The temple is about 258 meters in length and about 241.4 meters in breadth. Of the five Gopuras (towers) that surround the 48.8 meters high southern tower is the tallest. Madurai Meenakshiamman kovil was built by Kulasekara Pandya, but the entire credit for making the temple as splendid as it is today goes to the Nayaks. The Nayaks ruled Madurai from the 16th to the 18th centuries and left a majestic imprint of their rule in the Meenakshi-Sundareswarar temple.the temple has many inscriptions of the rulers in the 16th century . it is very interesting to note that the nayaks are so very talented to bring into excistance such a amazing temple with all incidance carved on the great pillars. According to Hindu mythology, Meenakshi was a princess who was born with three breasts, fish-shaped eyes and fishy smell. According to the story, after seeking advice from holy men, she was told that the extra breast would disappear when she met her future husband. She was also told that the fish-like qualities would transform into beauty. This duly happened when she met the god Shiva, whom she married 8 days later in Madurai, the husband taking on the form of Lord Sundareshwara. The Meenakshi temple in south India is named after her.


Structure Of The Temple

The temple is situated in the heart of the city. There are four entrance for the temple in the North West South and East sides of the temple.Its twelve gouprams (towers) are replete with sculpted figures of gods and goddesses. The four tallest gopurams stand on the massive outer walls of the temple, one on each side. The Southern Gopuram is the tallest in the temple and the only one that may be climbed. From atop this 50 m. (160 ft.) high gopuram, one gets a complete view of the other gopurams as well as the two vimanas (roof above the shrine).


Musical Pillars

There are 2 specimens of ingenious ‘musical pillars’ in the Ayirankkal Mandapam. There are five such pillars in North Adi Street also, near the Mottai Gopuram. Each musical pillar has a central column surrounded by groups of slender columns chiselled from the same stone. Each of these thin pillars produce a different musical note when struck Madurai Meenakshi Amman Temple is very popular because the meenakshi amman is very powerful in hearing to the problems of the devotee. Many people from various cities come here to wash away their sins and to receive Amman’s blessings. During the function times like Sivaraathiri , prathosham etc special pooja’s and rituals are been performed. Annathanam is been given daily for the poor. Recently Meenakshi Amman Kovil was incluted in the list to be selected as one of the wonders of the world. Voting was been done for many days. But unfortunately it was not been selected.It is a place full of devotion, so come forward to visit and receive ammans arul.


Other Attractions

About a kilometre away from the temple is the Tirumalai Nayak Palace, which was built in 1636, by the ruler, after whom it has been named. Much of the palace has now fallen into ruins, and only the entrance gate, main hall and dance hall remain. Gandhi Museum provides some of the little - known facts about Mahatma Gandhi. It has the blood - stained dhoti worn by Mahatma Gandhi, at the time of his assassination. Mariamman Teppakkulam Tank, few kilometres east of the old city, is the site for Teppam Festival (Float Festival) in the months of January and February.

How to Get There

Air
There are daily flights to and from Tiruchirapalli, Madras and Bangalore.

Train
There are train connections to Madurai from Madras, which takes eight hours via Trichy and from Rameshwaram, takes six hours. If you approach Madurai from Kerala, some spectacular scenes of the Western Ghats can be viewed.

Bus
There is very good service from Madurai to most of the major cities.

Location :Madurai, Tamil Nadu

Deity Worshipped:Lord Somasundara (Lord Shiva) And Goddess Meenakshi

Built By:The Pandyan King, Kulasekhara

Important Festivals Celebrated:Meenakshi Kalyanam in April-May And The Teppam Festival